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From handmade furniture and garden sculptures to surfboard showers, WA&A editors select their favorite objets d’art

Extending the living space of the main living room to the outdoors using large sliding glass panels, the two rooms can easily accommodate large and small groups. Interior up-lighting creates a warm glow in the twilight hours. Outdoor furniture is by Tropitone.

Designing the West: Confluence

Jackson Hole designer Katherine Reedy combines her New York experience with a profound love for Wyoming

Written by Thea Marx  
Summer | Fall 2010

Though Katherine Reedy discovered Wyoming as a design student in college, she didn’t indulge her passion for fly fishing or the beauty of the Cowboy State until she had tackled a career in one of the toughest markets in the world. In New York City, Reedy immersed herself in large-scale corporate design with Gensler and Associates, but found that her passion was for details and the smaller, more intricate work she would focus on in the boutique firms where she later worked. “Working in that rarified and intense environment gave me the confidence to start my own firm,” she says. 

Even with terrific success in New York, Wyoming was always in the back of Reedy’s mind and she jumped at the chance to move to Jackson Hole when, by all indications, the small cowtown was coming of age as a style force in the West. Her husband, architect Tom Ward, had lived in Wyoming for most of his formative years and was equally anxious to return. The pieces fell together, and in 1990 Reedy opened ek.Reedy Interiors.

In moving from New York, its vast cultural influences and demand for excellence, to the more laid-back environment of Wyoming, Reedy made the transition from concrete and steel to a place where nature infiltrated everything. For Reedy, everything transformed: The colors were different, the materials changed from stone to wood. She brought her whole library from New York thinking, as she laughs, “that I would use it. Obviously, it didn’t translate well. The environment is so different. The intensity of the light is distinctive.” Reedy’s remarkable ability to adapt allowed her to apply New York experience to a multitude of different residential projects in Wyoming. Reedy was exhilarated by all the new materials; in Wyoming she could pull from the environment to make a space utterly fresh from a regional point of view. 

Reedy’s unique approach to design keeps her work indefinable and organic, which opens a world of possibilities for projects in Jackson Hole and beyond. In a variety of projects that range from log homes to the ultra-modern, Reedy applies her own contemporary twist on Western design; but working in traditional Western style doesn’t deter her creativity. Reedy is keen to use many colors in a single residence, for example, but she pays careful attention to how they transfer, blend, work with (and on top of) one another. She makes a point of taking on clients worldwide, helping them to create spaces that reflect their lifestyle in that particular location. 

In the sophisticated community of Jackson Hole, Reedy’s colleagues are quick with praise. “Kathy understands what we are trying to do. She understands the concept and works with us instead of trying to reinterpret our work. She enhances what we are trying to accomplish,” says Mitch Blake, her husband’s partner at Ward Blake Architects. Reedy was instrumental in assisting Blake with the interiors in his own home, choosing colors, finishes and furniture. “She complemented my work,” he says. “It was really nice because your own place is so personal.”

Incorporating far-flung personal pieces into decidedly Wyoming spaces is one of Reedy’s strong suits. Her clients come to her from around the world, with pieces of their own culture to integrate into their personal space. “Kathy hung the moon,” says client Dragon Sherman emphatically. “She has great suggestions, never tries to force anything. She gives you lots of options, and nicely guides you in the right direction. She never pushes,” she says. 

For Reedy, the relationships with her clients are the high point of every project. Their participation leads to spirited collaborations which, for Reedy, are an enjoyable process of individual design. 

Reedy’s own personal style, too, reflects her ability to collaborate effectively. The rammed-earth home she built with Ward is a unique rendition of Western vernacular. “I love the textures,” she starts. “The two-foot earthen walls are like a sand painting with striated color patterns.” 

Reedy’s matchless and artistic visions, combined with her ability to easily integrate cultures into one dynamic space, has landed her twice in the prestigious Interior Design Review and on Western Interiors & Design’s Gold List. But for Reedy, by far the weightiest compliment comes from the number of clients who continually refer her to others. By all accounts, Kathy Reedy’s love of art, design and Wyoming makes for a very positive contribution to the design community.


Thea Marx is fifth-generation born and ranch-raised from Kinnear, Wyoming. Much of her career, including her book and Web site, ContemporaryWesternDesign.com, has been dedicated to Western style. In September 2010, her show, Style West, and workshop, Women Who Design the West, will open in Cody, Wyoming.

Interior designer Kathy Reedy

Sofa is upholstered in hand-woven chenille.

The 2-foot thick rammed earth walls in this Jackson, Wyoming, home exude beautiful texture and color and offer contrast to the smooth concrete floors. Large windows frame the valley and mountains in every season. The painting is by Mark Eberhard, the rug by Joan Weissman, and the console table is by Aspen Design Works.

Reedy transformed this kitchen from stark to warm using cabinet door fronts with cast art glass for openness, Caesar Stone and maple butcher block countertops, and a custom cast concrete farmer sink. The faucets are by JADO.

Incorporating the kitchen into the main living area and creating a space that didn’t feel like a cooking space was the premise behind the design of this “non-kitchen.” The low window at counter height allows the morning sun to wash the working surface with warm light. Kitchen cabinets are African sapele wood and the granite countertops are by Barracuda.

Reedy created a backdrop of barren simplicity for clients who had returned from Africa with many wonderful treasures and memories. The walls are Venetian plaster, the iron handrail is custom with a beechwood cap. The zebra rug is woven wool by Stark Carpets. The bench and sculpture are antiques from Africa.

The foyer provides an ideal place to introduce guests to art that fills the home. Here, Reedy used a striking hand-painted antique cabinet from Marrakech to showcase the clients’ collection of vessels and bowls from the Santa Clara Pueblo in New Mexico. The pottery is created by the Tewa ethnic group of Native Americans. Reedy’s clients became avid collectors after she introduced them to the exquisite work.