PREVIOUS ARTICLE

Collector’s Notebook: Building a Collection with Identity

Buy with intuition to reflect personal taste and style

NEXT ARTICLE

Designing the West: Artistic Genesis

Santa Fe interior designer Jennifer Ashton’s fresh, elegant spaces begin through the lens of art

In a San Francisco villa, a wooden 18th Century Spanish chandelier illuminates the vintage Paris Macassar Ebony chairs and table and a collection of old oil bistro lamps. The portrait is The French Man by Matthew Sun.

Designing the West: Illuminated Design

Whether he’s creating a sculpted bronze fixture for his eponymous lighting line or the interiors for a historic property, San Francisco designer Jonathan Browning has an obsessive passion for getting even the smallest details just right

Written by Eliza Cross  

Eliza Cross

Other Contributions

On the Ranch Perfect Accord New Classic Style Wide Open Spaces Hillside Haven Denver Botanical Gardens Unveils New Science Pyramid Meeting in the Middle Designing the West: Peaceful Retreats Designing the West: Fresh Western Designing the West: Holistic Design Wanderings: Boulder, Colorado Designing the West: Success in Simplification Designing the West: Harmonious Trio Designing the West: Multi-Discipline Design Designing the West: Comfort and Joy Rendering: Inspired Placemakers Western Landmark: The Broadmoor Designing the West: Balancing Form and Function Collector’s Eye: Rose Fredrick Designing the West: Simply Divine Designing the West: Reimagined and Repurposed Rendering: Architecture From the Ground Up Rendering: Design Innovator Designing the West: Vibrant Spirits Designing the West: Livable Luxury Designing the West: Curatorial Vision Wanderings: Denver, Colorado Collector’s Notebook: Responsive Design Designing the West: Conceptual Design Designing the West: Rustic Comfort Designing the West: Personality and Panache Illuminations: Ones to Watch Rendering: Denver Architect Ron Faleide Designing the West: Natural Sanctuaries Designing the West: Modern Mixmaster Collector’s Notebook: The Art of Illumination Designing the West: Illuminated Design Designing the West: Precision Planner Designing the West: Adding Dimension Illuminations: Ones to Watch Designing the West: Artistic Genesis Designing the West: Intuitive Interiors Designing the West: Modern, Classic and Conscientious Designing the West: Rustic Meets Modern Designing the West: Cultivated by Nature Collector’s Notebook: Careful Conservation
August | September 2013


Who can predict what early influences might inspire a young man to choose a particular path? Award-winning interior and lighting designer Jonathan Browning creates high-end, meticulously detailed, museum-quality lighting for his company, Jonathan Browning Studios, and credits his great-grandfather for introducing him to the beauty of simple design.

“In early 1929, my great-grandpa bought a beautiful lot way up in the San Bernardino Mountains in a spot called Green Valley Lake, where he built a cabin by hand with his best friend, Flick. It has a big front porch with railings made of twisted branches from local trees that almost look like big antlers twisted together in a random pattern. The exterior is wide clapboard, but the walls and ceilings are covered with huge sheets of knotless plywood, and the floors are local wide-plank oak. He and Flick gathered huge local granite boulders for the fireplace and cemented them together.

“The brilliance, however, is the second floor. It has a peaked roof with open rafters, and on each side of this long room my great-grandad placed seven white metal hospital beds. He was a principal in Los Angeles city schools, so he had managed to get these at little or no cost from a school hospital. His system was to hang quilts from the rafters, so upon arriving we’d all grab our favorite quilts and pillows off the rafters and grab our favorite bed. Our whole family and all our visiting friends would sleep in one big dormitory room on those 14 hospital beds from the early ’20s. Even as a child, this breathtakingly gorgeous American interior made the biggest aesthetic impression on me — of the beauty of honest, high quality, simple design.”

Browning received his undergraduate degree in design from U.C. Berkeley and his master’s degree in architecture from Southern California Institute of Architecture. He enjoyed a long, successful career in visual merchandising and retail store design, living and working around the world with major retail companies like Esprit, Gap, Guess, Victoria’s Secret and Levi Strauss. He then led the design team for Starwood Hotels, which included such brands as W Hotel and St. Regis.

In 2004, after two decades of helping companies express their image through architecture, design and merchandising, Browning was ready for a change. “I decided it was time to finally do what I’d been thinking about for years,” he says. “I wanted to create the most high-end, top-quality bronze lighting the world had ever seen.”

“Ten years ago, the industry was not design-driven and I was frustrated with the poor quality of much of the lighting in the market at that time. Manufacturers were primarily focused on low costs, low quality and high profits. I always had to purchase antique fixtures because I couldn’t find the quality I was looking for. ”

He had never produced lighting, but after surveying the market informally and getting a positive response Browning decided to follow his passion. “For six months, I just drew,” he says. “My two great loves are French Beaux-Arts classicism and industrial design, and with those aesthetics in mind, I set out to do completely original work.”

Browning chose bronze for his lighting line, a decision dictated in part by his intricate designs. “We use solid bronze, not just because it’s beautiful but because bronze can be cast in great detail, which is why it’s used for the finest sculptures. We use the best sculpture foundry in the country to make our products, because complex shapes have to be cast, not welded. Every detail down to the last chain is handmade.”

Designer Holly Hunt was an early client. “Holly told me, ‘If you make something of great enough quality and beauty, people will be willing to pay for it,’” Browning says. Today, prices for his sconces range from $640 to $3,000, and chandeliers start at $12,000 and go up to $34,000.

Browning also does select interior design projects. “I enjoy the process, and my philosophy is that you have to get out of the way and look at the bigger picture. I begin by considering the lifestyle of the owners. With a historic property, I also want to understand the architect’s vision to determine how we can best embrace and respect the original design. I begin by making the building or space the best it can be, and then add furnishings. I might blend modern and traditional pieces as a mix that’s intelligent, chic and fun. Every piece has to be just right.”

Browning applied this design philosophy to the historic building where his company is headquartered, a cast concrete 1924 structure in the heart of downtown San Francisco that formerly housed a printing press. In the ground-floor lobby, he installed a built-in bar for entertaining. A glass staircase leads to the second floor, and tall ceilings soar over a 16-foot conference table where Browning and his staff meet with clients. Swinging doors open into the showroom, where nearly all of the company’s products are on display.

Browning lives in an on-site loft apartment with his partner, Marco Heithaus. “It’s a simple, industrial space that suits us perfectly,” Browning says. With his unyielding dedication to well-made, high-quality products and his sensitive design philosophy, one can’t help but think that Browning’s great-grandpa would be proud.

 


Brilliant Lighting

Jonathan Browning shares the attributes to look for when choosing quality light fixtures:

  1. Don’t choose on looks alone. Pick up the piece, hold it and touch it so you can be informed. A fixture might have a lot of look or style to it, but many inexpensive fixtures are manufactured with substandard processes and cheap materials like spun metal or stamped steel. These metals can bend or become misshapen over time. If a fixture feels light, it was made with the least amount of material possible to save money — and other corners were likely cut as well. One of our outdoor sconces weighs 37 pounds, because it’s cast from solid bronze.
  2. Examine the finish. Often you’ll see a thin layer of brass applied over a base metal or even a painted-on metal finish. Look carefully at the base of a floor lamp; some companies put a weight inside it to make it seem heavier. Even some high-end lighting companies take these shortcuts.
  3. Ask how the piece was made, find out what it’s made of and whether it’s plated or solid metal. Just because the fixture is designated “oiled bronze,” for instance, doesn’t mean that’s what it actually is. Talk to a lighting designer you trust to really understand what you’re buying.
  4. Choose solid bronze for outdoor fixtures. Bronze doesn’t rust, and over time it develops a deeper patina that adds to its character. You can also wax it if you want to preserve its original color and finish.
  5. Don’t settle for substandard quality or design. There is inherent value in a quality product. These days, many used light fixtures are simply torn down and discarded because they’ve been created to be disposable. Our fixtures are heirlooms, to be passed down or auctioned someday. We think quality is true sustainability.

 


Eliza Cross (www.elizacross.com) is a senior contributing editor for Western Art & Architecture and the author of five books, including the award-winning Family Home of the New West (Cooper Square Publishing). A member of the Authors Guild and American Society of Journalists and Authors, she has written more than 250 articles for a variety of national and regional publications.

Designer Jonathan Browning

Jonathan Browning Studios welcomes guests with a bar in the main lobby, set against the concrete walls and floors of the original printing factory; a Garonne chandelier hangs overhead.

The De Nacre chandelier features 56 bronze arms with reflective Edison-style mercury bulbs set in genuine South China Seas mother-of-pearl shells.

In the dining room of a New York Sutton Place penthouse, Browning contrasted oxblood red Marmorino Plaster walls with creamy white cabinetry inset with nickel trim; furniture and fixtures are antiques. Photos: Sharon Risedorph

Browning worked with architect Seth Howe to transform a New York penthouse foyer. In the sky blue domed ceiling, an oculus window with crossed stainless steel trim brings in natural light; sconces are refurbished antiques. Photos: Sharon Risedorph

This hand-polished Chapelle sconce is made of solid bronze and fitted with a hand-blown glass magnifying lens. Photo: Sharon Risedorph